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Nicodemus is portrayed by Diego Matamoros in the 2003 film The Gospel of John. [27] The figure of Nicodemus appears in several television productions: In the 1952 series, The Living Bible, Forrest Taylor plays the character of Nicodemus [28] In the 1965 film, The Greatest Story Ever Told, Joseph Schildkraut plays the character of Nicodemus
The Message of Pilate's Wife (1886–94) by James Tissot (Brooklyn Museum). It is likely that Pontius Pilate was married. [14] It is possible that his wife accompanied him to his post as governor of Judaea (26–36/37 CE); while governors were forbidden to bring their wives to their posts under the Republic and Augustus, the law was later repealed by the Senate.
Nicodemus (Greek: Νικόδημος) was a Pharisee, first mentioned early in the Gospel of John when he visits Jesus to listen to his teachings; he comes by night out of fear. [h] He is mentioned again when he states the teaching of the Law of Moses concerning the arrest of Jesus during the Feast of Tabernacles.
Other Jewish traditional sources contain many different names for Noah's wife. ... Nicodemus 5:26) Appears in the Bible at Matthew 9:20–22.
Possibly original name of Bashemath. Genesis [12] Ahinoam #1 – wife of King Saul, mother of Michal (wife of King David) I Samuel [13] Ahinoam #2 – one of King David's wives, mother of Amnon. I Samuel; II Samuel; I Chronicles [14] [15] [16] Aholibamah (or Oholibamah) – Daughter of Anah and one of Esau's wives. Also called Judith. Genesis [17]
A 9th- or 10th-century manuscript of the Gospel of Nicodemus in Latin. The Gospel of Nicodemus, also known as the Acts of Pilate [1] (Latin: Acta Pilati; Ancient Greek: Πράξεις Πιλάτου, romanized: Praxeis Pilatou), is an apocryphal gospel purporting to be derived from an original work written by Nicodemus, who appears in the Gospel of John as an acquaintance of Jesus.
Nicodemus being a man of high character, among his fellow citizens, and afraid of the censures of the world, came during the night, for instructions to Christ. He came in this private manner, "for fear of the Jews", for his mind probably revolted at the idea of appearing among the unlettered and poor disciples of the Man-God.
They have continued in use even after 1100, when images of the Resurrection of Jesus in Christian art began to show the risen Christ himself. Examples are the Melisende Psalter and Peter von Cornelius's The Three Marys at the Tomb. Eastern icons continue to show either the Myrrhbearers or the Harrowing of Hell. [9]