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Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), [1] also formerly spelled Karl Philipp Emmanuel Bach, [2] and commonly abbreviated C. P. E. Bach, was a German Baroque and Classical period composer and musician, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach.
The tradition of the German oratorio Passion began in Hamburg in 1643 with Thomas Selle’s St John Passion and continued unbroken until the death of Carl Philipp Emanuel Bach in 1788. The oratorio Passion, made famous by Johann Sebastian Bach in his St John Passion and St Matthew Passion , is the style that is most familiar to the modern listener.
The catalogue of Helm is now the preferred one for the works of C. P. E. Bach. This listing also substantially conforms to the works given by Grove Music Online. [3] The new complete edition of Carl Philipp Emanuel Bach's works [4] surpasses any other earlier organizational efforts in dating and cataloguing the enormous output of C. P. E. Bach.
Solfeggietto (H 220, Wq. 117: 2) is a short solo keyboard piece in C minor composed in 1766 by Carl Philipp Emanuel Bach. [1] Although the Solfeggietto title is widely used today, according to Powers 2002, p. 232, the work is correctly called Solfeggio, but the author provides no evidence for this.
The Bach family is a family of notable composers of the baroque and classical periods of music, the best-known of whom was Johann Sebastian Bach (1685–1750). [1] A family genealogy was drawn up by Johann Sebastian Bach himself in 1735 when he was 50 and was continued by his son Carl Philipp Emanuel. [2]
The Sonata for Solo Flute in A minor, Wq.132, H 562, is a sonata for flute, without Basso Continuo or accompanying instruments, composed by Carl Philipp Emanuel Bach. [1] The sonata is considered, along with Telemann's Fantasias for Solo Flute and J. S. Bach's A minor partita, one of the most significant works for unaccompanied flute before the 20th century. [2]
Die Auferstehung und Himmelfahrt Jesu (The Resurrection and Ascension of Jesus) is an oratorio by Carl Philipp Emanuel Bach to a text by Karl Wilhelm Ramler on the subject of the resurrection and ascension of Jesus Christ. The first documented performance evidently took place in 1774, and was first publicly performed in 1778; it was further ...
Die Israeliten in der Wüste is an oratorio based on the Old Testament story of the pain and suffering of the Israelites in the desert. In this piece, Bach keeps up with the changing musical ideas of the time by abandoning his typical styles in favor of adopting an empfindsam quality, using every movement of the piece to underscore the drama and move the affections to more fully engage the ...