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[9] [10] [11] At first, commonly used tuning included courses in octaves, called a 'bordón' by the Spanish and a 'bourdon' by the French. In the end of the eighteenth century the south-French and Italians introduced guitars with five single strings, first by simply taking off the doubles (so called 'French guitar' — 'Chitarra Francese'). [12 ...
An ornate guitar made by a Joakim Thielke (1641–1719) of Germany was altered in this way and became a success. From the mid-18th century through the early 19th century, the guitar evolved into a six-string instrument, phasing out courses by preference to single strings. These six-string guitars were still smaller than the modern classical guitar.
Keith Calmes (born March 1, 1966) is an American guitarist, educator, composer, and author. He has transcribed several works for Mel Bay Publications, including Guitar Music of the Sixteenth Century [1] and The Eight Masterpieces of Alonso Mudarra. [2]
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A popular instrument with court musicians, minstrels, and amateurs, the gittern is considered an ancestor of the modern guitar and other instruments like the mandore, bandurria and gallichon. [3] [4] From the early 16th century, a vihuela-shaped (flat-backed) guitarra began to appear in Spain, and later in France, existing alongside the gittern ...
fl. late 15th – early 16th century: English Presumably identical with the Sturton who composed the six-part Ave Maria ancilla Trinitatis in the Lambeth Choirbook, he contributed a Gaude virgo mater Christi to the Eton Choirbook, the six voices of which cover a fifteen-note range Robert de Févin: fl. late 15th–early 16th century: French
In Middle Ages (10th-16th centuries) was for indoor instrument made up of 4-12 small bells, hung from a bar and struck with hammers. [20] Beginning 12th century, may have had "large wooden key installed" to make playing easier and to help play bigger bells. [20] Depicted in small sets (4 to 5, 8 to 9). [21] Latin, western tradition from church
The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so. [1]