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The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.
Tracery is an architectural device by which windows (or screens, panels, and vaults) are divided into sections of various proportions by stone bars or ribs of moulding. [1] ...
The transition from the Gothic to the Renaissance style was stark, the transition from intricate and complex iconography and visuals to a more toned-down version for the Renaissance era. [28] The Gothic art period for stained glass featured two styles for the windows, the tall, spear-like windows and the circular rose windows.
At the end of the Restoration (1814–1830) and during the Louis-Philippe period (1830-1848), Gothic Revival motifs start to appear in France, together with revivals of the Renaissance and of Rococo. During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets ...
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe , and much of Northern , Southern and Central Europe , never quite effacing more classical styles in Italy.
The walls were papered as was the custom in bourgeois and aristocratic residences, possibly with wallpaper from the Royal Painted Paper Factory which was patronized by Fernando VII. The paper on the ground floor was decorated with motifs of fruit and leaves and the first floor was decorated with geometrical drawings organized in diagonal lines.
English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.
Full-page illustrations and depictions of the cult objects of the tabernacle in gold were common. The combination of European Gothic and Muslim ornamentation is typical of the few surviving Jewish Bibles from the Iberian Peninsula. The Catalan Farhi Bible [65] (1366-1382) by Elisha ben Abraham Crescas is a notable example of this period.