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In another Arabian Nights tale, the protagonist Abdullah the Fisherman gains the ability to breathe underwater and discovers an underwater submarine society that is portrayed as an inverted reflection of society on land, in that the underwater society follows a form of primitive communism where concepts like money and clothing do not exist ...
John Payne - The Book of the Thousand Nights and One Night (unexpurgated) (1882–84) Edward Powys Mathers based on J. C. Mardrus in 4 volumes (1923) Malcolm C. Lyons and Ursula Lyons - The Arabian Nights: Tales of 1001 Nights published by Penguin Books based on the Macnaghten or Calcutta II edition (Egyptian recension) in 10 volumes (2008)
The Arabian Nights by Andrew Lang at Project Gutenberg; 1001 Nights, Representative of eastern literature (in Persian) "The Thousand-And-Second Tale of Scheherazade" by Edgar Allan Poe (Wikisource) Arabian Nights Six full-color plates of illustrations from the 1001 Nights which are in the public domain (in Arabic) The Tales in Arabic on Wikisource
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Further references to the Arabian Nights are expressed in parallels with the stories of Khudâdâd and His Brothers, 'Alâ' al-Dîn, and the History of the Princess of Daryâbâr. Whereas the Arabian Nights focuses on the narrative themes of providence and destiny, Voltaire substituted the interference of divine power with human intervention.
The One Thousand and One Nights (Arabian Nights) is easily the best known of all Arabic literature and which still shapes many of the ideas non-Arabs have about Arabic culture. The stories of Aladdin and Ali Baba, usually regarded as part of the Tales from One Thousand and One Nights, were not actually part of the Tales.