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Death Becomes Her: A Century of Mourning Attire was an exhibition at the Metropolitan Museum of Art that ran from October 21, 2014, to February 1, 2015. [ 1 ] [ 2 ] [ 3 ] The exhibition featured mourning attire from 1815 to 1915, primarily from the collection of the Met's Anna Wintour Costume Center [ 4 ] and organized by curator Harold Koda ...
Edith Claire Head (née Posenor, [1] October 28, 1897 – October 24, 1981) was an American film costume designer who won a record eight Academy Awards for Best Costume Design [3] between 1949 and 1973, making her the most awarded woman in the Academy's history. Head is considered to be one of the greatest and most influential costume designers ...
The woman who would become Lady Death was born a mortal named Hope. Her father was a local nobleman named Matthias who was despised by the peasants as a cruel tyrant for forcibly conscripting peasants into military service as feudal levies.
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The final scene takes place in the Countess's father's frugally furnished house, in contrast to the old Earl's mansion in the first scene. Torn by guilt and despair after discovering her lover's death, the Countess has taken poison having bribed her father’s dim-witted servant to procure her a dose of laudanum.
[1] [2] The "bad girl" art trend was derived from the exaggerated visual styles of the male and female form first used in the late 80s by artists such as Rob Liefeld and Jim Lee. The precursors to the trend were Vampirella , created by Forrest J Ackerman and publisher James Warren in 1969, and Marvel Comics ' Elektra , created by Frank Miller ...
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Dolly Tree (17 March 1899 – 17 May 1962) was an English illustrator, actress and costume designer who during the 1930s and 1940s designed dresses for Myrna Loy, Jean Harlow, Rosalind Russell, Maureen O'Sullivan and Judy Garland among others in addition to costuming historical dramas such as David Copperfield (1935) and A Tale of Two Cities ...