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McDonald's has now become commonplace as a go-to for late night food (especially with the launch of an all-day breakfast menu last year). But in the 80s, the company needed a way to bring people ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 2 March 2025. American musician, singer, and keyboardist (born 1952) For other people named Michael McDonald, see Michael McDonald (disambiguation). Michael McDonald McDonald performing live in 2019 Background information Born (1952-02-12) February 12, 1952 (age 73) St. Louis, Missouri, U.S. Genres Blue ...
Rod MacDonald (born August 17, 1948) is an American singer-songwriter, novelist, and educator. [1] He was a "big part of the 1980s folk revival in Greenwich Village clubs", [2] performing at the Speakeasy, The Bottom Line, Folk City, and the "Songwriter's Exchange" at the Cornelia Street Cafe.
In 1988 McDonald's produced a jingle heavily influenced by the song for its "$1,000,000 Menu Song" promotion. The McDonald's recording, with an identical melody and a rapidly spoken list of menu offerings recited in an identical monotone pitch and rhythm, was released as a mass giveaway in the form of a 33-1/3 RPM flexible plastic single. [12] [13]
A global, multilingual list of rhythm and blues and contemporary R&B musicians recognized via popular R&B genres as songwriters, instrumentalists, vocalists, mixing engineers, and for musical composition and record production.
The song was also used during the Condoleezza Rice dance segment on You're Welcome America: A Final Night with George W. Bush. The song is the primary plot device of, and gives its name to, an episode of Yacht Rock, which comedically fictionalized the events leading to Warren G sampling it.
Mac Tonight is a character that was used in marketing for McDonald's restaurants during the late 1980s. Known for his crescent moon head, sunglasses and piano-playing, the character played the song "Mack the Knife", which was made famous in the United States by Bobby Darin.
Geitzenauer added keyboards with a string sound derived from a Yamaha SY77, the riff was in the style of a Hammond organ at the end of every fourth bar. A Minimoog-type sound was used during the Young Guns dialogue, this was one of the last parts added to the song. [9] [10] Before this session, Warren had been producing beats and saving them.