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"Acrobat" is a song by rock band U2, and is the eleventh track on their 1991 album Achtung Baby. The song developed from a riff created by guitarist the Edge, and is played in a 12 8 time signature. [1] Lyrically, the song expresses themes of hypocrisy, alienation, and moral confusion.
Sunday Bloody Sunday" is the opening track and third single from U2's 1983 album, War. The song is noted for its militaristic drumbeat, simple but harsh guitar, and melodic harmonies. [73] One of U2's most overtly political songs, its lyrics describe the horror felt by an observer of The Troubles in Northern Ireland.
Adam Charles Clayton (born 13 March 1960) is an English-Irish musician who is the bass guitarist of the rock band U2. [1] Born in Oxfordshire, England, he lived in County Dublin, Ireland after his family moved to Malahide in 1965, when he was five years old.
Mere moments later, U2’s 13th record, Songs of Innocence, was automatically downloaded on more than 500 million Apple devices in 119 countries, completely free of charge.
"Acrobat" (U2 song), from U2's album Achtung Baby "Acrobat", a song from Maxïmo Park's album A Certain Trigger "Acrobat" (Jo Gwang-il song), from Jo Gwang-il's album Dark Adaptation; Acrobat Records, an American independent record company
That's the mark of a good song, isn't it? That's probably the way the song should have been presented." Lanois played pedal steel guitar on the song, and guitarist the Edge added a guitar riff. [4] U2 manager Paul McGuinness confirmed in January 1999 that a demo of the song had been recorded and that the group were hoping to release it. [2]
The full band electric version was revived for the sixth leg of the Vertigo Tour in 2006. The song was performed on the U2 360° Tour, again in an acoustic form by Bono and The Edge. [16] The song was played five times on the 2015 Innocence + Experience Tour. [17] These performances were by the full band and featured The Edge on the piano.
Parry Gettelman of the Orlando Sentinel felt it was among the better songs on Zooropa. [6] The Independent ' s Andy Gill praised the song as one of the best album tracks, noting its resemblance to David Bowie's "Always Crashing in the Same Car". [7] Allmusic's Stephen Thomas Erlewine cited the song's "quiet menace" as one of the album's ...