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Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Benesh Movement Notation was created by Joan Benesh and her husband Rudolph Benesh. [1] In 1955, Rudolf Benesh publicly introduced Benesh notation as an "aesthetic and scientific study of all forms of human movement by movement notation". In 1997, the Benesh Institute (an organisation focused on Benesh notation) merged with the Royal Academy of ...
Attack or attach; go straight on (i.e. at the end of a movement, a direction to attach the next movement to the previous one, without a gap or pause). Often used as "attacca subito," meaning a "sudden" movement transition (literally, "attack suddenly"). Ausdruck (Ger.) Expression ausdrucksvoll or mit Ausdruck (Ger.) Expressively, with expression
Labanotation (grammatically correct form "Labannotation" or "Laban notation" is uncommon) is a system for analyzing and recording human movement (notation system), invented by Austro-Hungarian choreographer and dancer Rudolf von Laban (1879–1958, a central figure in European modern dance), who developed his notation on movements in the 1920s.
For example, a car company may be interested in how to name their car to make it sound faster or stronger. Furthermore, sound symbolism can be used to create a meaningful relationship between a company's brand name and the brand mark itself. Sound symbolism can relate to the color, shade, shape, and size of the brand mark. [21]
Approximately 30 are primary symbols and the remainder are compound derivatives. There is no attempt to indicate style, expression, or any of the other dance nuances. These are left entirely to the discretion of the performer or teacher. The primary symbols define Weight change; Movement of feet (step, tap, brush, shuffle, jump, hop, chug, slide)
In Laban Movement Analysis and Space Harmony (Choreutics) the same 27 direction symbols are used but they have a different conceptualization. Instead of envisaging the signs on three parallel horizontal planes (high, middle, and low levels), the direction signs are organized according to the octahedron, cube (), and the icosahedron.