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Don't Think I've Forgotten: Cambodia's Lost Rock and Roll is a 2014 documentary film directed by John Pirozzi about Cambodian rock music in the 1960s and 1970s, and the impact of the Khmer Rouge regime and Cambodian genocide on the local music scene. It received positive reviews from critics.
Cambodia's first alternative music label Yab Moung Records was founded in 2012 and has since recorded and released the first Khmer Hardcore and Death Metal tracks as well as producing a wide range of alternative artists creating unique Khmer blues, rock, hip hop and alternative music.
Cambodian rock of the 1960s and 1970s was a thriving and prolific music scene based in Phnom Penh, Cambodia, in which musicians created a unique sound by combining traditional Cambodian music forms with rock and pop influences from records imported into the country from Latin America, Europe, and the United States.
Mohaori is traditionally a popular Cambodian music played in Khmer society since the late 9th century. Mohaori is still a popular Khmer traditional music played in various occasions and festivities. [2] It is regarded as a popular music for the Cambodian locals to accompanied their custom and traditional celebrations.
The film was directed by Keith McMillan and was 4 nights of concerts in Hammersmith Odeon to raise money for Cambodia. The event was organized by Paul McCartney and Kurt Waldheim (who was then Secretary-General of the U.N. ), and it involved well-established artists such as McCartney, The Who and Queen as well as younger punk and new wave acts ...
Media in category "Music of Cambodia" The following 4 files are in this category, out of 4 total. Cambodian Rocks 02 - Ros Sereysothea - Chnam oun Dop-Pram Muy (sample).ogg 23 s; 207 KB
In 1971, Tana assembled a new lineup with lead guitarist Som Sareth, drummer Ouk Sam Art, and bassist Oer Sam Ol. By this time, the Cambodian music scene had been further influenced by Western rock and roll and soul music via U.S. armed forces radio that had been broadcast to troops stationed nearby during the Vietnam War. [6]
For the Khmer musicians who managed to escape the ruthless persecution of the Khmers Rouges who forbade any foreign influence and almost every form of music apart from propaganda, the refugee camps in Thailand were a safe haven where listening to "Champa Battambang" or the Khmer version of The House of the Rising Sun and others pieces of Cambodian rock music was a certain consolation in their ...