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Archetypal psychology relativizes and deliteralizes the ego and focuses on the psyche (or soul) itself and the archai, the deepest patterns of psychic functioning, the "fundamental fantasies that animate all of life". [54] Archetypal psychology is a polytheistic psychology, in that it attempts to recognize the myriad fantasies and myths, gods ...
The propositional theory involves storing images in the form of a generic propositional code that stores the meaning of the concept not the image itself. The propositional codes can either be descriptive of the image or symbolic. They are then transferred back into verbal and visual code to form the mental image. [32]
A symbol is an "entity that someone intends to stand for something other than itself," making symbolic artifacts objects used to aid in communication. Representational insight is the ability to detect and mentally represent the relation between a symbol and its referent.
The second contribution Corbin made to the field was the idea that archetypes are accessible to imagination and first present themselves as images, so the procedure of archetypal psychology must be rhetorical and poetic, without logical reasoning, and the goal in therapy should be to restore the patient's imaginable realities.
Representationalism (also known as indirect realism) is the view that representations are the main way we access external reality.The representational theory of mind attempts to explain the nature of ideas, concepts and other mental content in contemporary philosophy of mind, cognitive science and experimental psychology.
The Self in Jungian psychology is a dynamic concept which has undergone numerous modifications since it was first conceptualised as one of the Jungian archetypes. [ 1 ] Historically, the Self , according to Carl Jung , signifies the unification of consciousness and unconsciousness in a person, and representing the psyche as a whole. [ 2 ]
A symbolic cue is a word, phrase, slogan, or nonverbal sign or gesture that triggers previously shared fantasies and emotions. [13] Images, symbols, dramatizations, and narratives can draw people into a shared symbolic world. An example of a symbolic cue would be a bumper sticker, which actuates the observer into a larger shared reality. [13]
For Lacan, the driving-force behind the creation of the ego as mirror-image was the prior experience of the phantasy of the fragmented body. "Lacan was not a Kleinian, though he was the first in France…to decipher and praise her work," [7] but "the threatening and regressive phantasy of 'the body-in-pieces'…is explicitly related by Lacan to Melanie Klein's paranoid position."