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In comparison with other 'political' forms of criticism, there has been relatively little dispute about the moral and philosophical aims of ecocriticism, although its scope has broadened from nature writing, romantic poetry, and canonical literature to take in film, television, theatre, animal stories, architectures, scientific narratives and an extraordinary range of literary texts.
Mabey, Richard, The Oxford Book of Nature Writing. Oxford: Oxford University Press, 1995. This piece also goes over the magnitude of this genre and presents essays from varying nature authors. Stewart, Frank, A Natural History of Nature Writing. Washington, D.C.: Island Press, 1994. This books concentrates on the origins of American nature writing.
The nature–culture divide is the notion of a dichotomy between humans and the environment. [1] It is a theoretical foundation of contemporary anthropology that considers whether nature and culture function separately from one another, or if they are in a continuous biotic relationship with each other.
Writers like Henry James, Gertrude Stein, and poets Ezra Pound, H.D. and T. S. Eliot demonstrate the growth of an international perspective in American literature. American writers had long looked to European models for inspiration, but whereas the literary breakthroughs of the mid-19th century came from finding distinctly American styles and ...
Ecofiction (also "eco-fiction" or "eco fiction") is the branch of literature that encompasses nature or environment-oriented works of fiction. [1] While this super genre's roots are seen in classic, pastoral, magical realism, animal metamorphoses, science fiction, and other genres, the term ecofiction did not become popular until the 1960s when various movements created the platform for an ...
Also: United States: People: By occupation: Non-fiction writers: Nature writers. Subcategories. This category has the following 3 subcategories, out of 3 total ...
In the fields of literature, poetry, music, and drama some nascent artistic attempts were made, particularly in pre-war Philadelphia, but American (non-popular) culture in these fields was largely imitative of British culture for most of the period.
In North American mythologies, common themes include a close relation to nature and animals as well as belief in a Great Spirit that is conceived of in various ways. As anthropologists note, their great creation myths and sacred oral tradition in whole are comparable to the Christian Bible and scriptures of other major religions.