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In optics, the Kubelka–Munk theory devised by Paul Kubelka [1] [2] and Franz Munk, is a fundamental approach to modelling the appearance of paint films. As published in 1931, [3] the theory addresses "the question of how the color of a substrate is changed by the application of a coat of paint of specified composition and thickness, and especially the thickness of paint needed to obscure the ...
Mixing pigments for the purpose of creating realistic paintings with diverse color gamuts is known to have been practiced at least since Ancient Greece.The identity of a/the set of minimal pigments to mix diverse gamuts has long been the subject of speculation by theorists whose claims have changed over time, for example Pliny's white, black, one or another red, and "sil", which might have ...
Color charts can take custom forms, as for example the calibration target used by the Curiosity rover for its Mars Hand Lens Imager (MAHLI). The European Pharmacopoeia monograph 2.2.2 is a method to determine the degree of coloration in liquids, applied to pharmacological compounds, drug substances and finished product. It consist in 3 stock ...
Paint mixing, both artistic and for commercial applications, achieves a reasonably large color gamut by starting with a larger palette than the red, green, and blue of CRTs or cyan, magenta, and yellow of printing. Paint may reproduce some highly saturated colors that cannot be reproduced well by CRTs (particularly violet), but overall the ...
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Gouache paint is similar to watercolor, but it is modified to make it opaque. Just as in watercolor, the binding agent has traditionally been gum arabic but since the late nineteenth century cheaper varieties use yellow dextrin. When the paint is sold as a paste, e.g. in tubes, the dextrin has usually been mixed with an equal volume of water. [1]
A restored gesso panel representing St. Martin of Tours, from St. Michael and All Angels Church, Lyndhurst, Hampshire. Gesso (Italian pronunciation:; 'chalk', from the Latin: gypsum, from Greek: γύψος), also known as "glue gesso" or "Italian gesso", [1] is a white paint mixture used to coat rigid surfaces such as wooden painting panels or masonite as a permanent absorbent primer substrate ...