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Boss released a successor, the DS-2. [3] The DS-2, "Turbo Distortion" was released in 1987, and is very similar to the DS-1 except that it features a "turbo" setting, which produces a sharper midrange tone. [4] Boss released a black limited edition 40th Anniversary model of the DS-1 in 2017.
Introduced in 1978, the DS-1 was Boss's first distortion pedal, and second pedal release overall, following the CE-1 Chorus Ensemble. The DS-1 uses two hard-clipping diodes for an aggressive edge, similar to the ProCo Rat, released the same year. This type of circuit became known as "distortion," as opposed to the soft-clipping "overdrive" of ...
DS1 or DS-1 may refer to: BOSS DS-1, a guitar distortion pedal; Digital Signal 1, a T-carrier signaling scheme devised by Bell Labs; Deep Space 1, a mission to 9969 Braille & 19P/Borrelly; DS-1 (drug), a selective GABA A α4β3δ agonist drug; South African Class DS1, a diesel locomotive class; Datsun DS-1, a car by Nissan, see Datsun DS Series
Introduced in 1978, the DS-1 was Boss's first distortion pedal, and second pedal release overall, following the CE-1 Chorus Ensemble. [14] The DS-1 uses two hard-clipping diodes for an aggressive edge, similar to the ProCo Rat, released the same year. This type of circuit became known as "distortion," as opposed to the soft-clipping "overdrive ...
The Boss HM-2 was first issued in October 1983. It was originally manufactured in Japan from 1983 until 1988 and then in Taiwan from 1988 until 1991. [1] It was designed to emulate the mid-range response of a Marshall stack. [2] The HM-2 is based on Boss's DS-1.
The page should be titles "Boss DS series distortion pedals" or something like that. Then it should have a different section for each iteration (DS-1, DS-2, etc.) - 240mL ( talk ) 02:55, 11 March 2017 (UTC) [ reply ]
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Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound.