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Some jade pendants also combined jades in the shape of dragons, phoenixes, humans, human-dragons, and animals, etc. [20] [21] [22] In the Qing dynasty, it was popular for women to wear green, translucent jade jewelries; pendants which were carved in the shape of a curving dragon was popular. [23]
Warring States period jade pendant with two dragon heads. Hong or jiang (Chinese: 虹; pinyin: hóng or jiàng; Wade–Giles: hung or chiang; lit. 'rainbow') is a Chinese dragon with two heads on each end in Chinese mythology, comparable with Rainbow Serpent legends in various cultures and mythologies.
Yupei (Chinese: 玉佩; pinyin: Yùpèi) is a generic term for jade pendants. [1] Yupei were popular even before Confucius was born. [2]: 18 Jade culture is an important component of Chinese culture, [1] reflecting both the material and spiritual culture.
"These matching pendants were designed as serpentine dragons with backturned heads, coiled tails, and small fins that project above and below their undulating trunks. The rhythmic fluency of these creatures belies the unyielding quality of jade—a compact, fine-grained stone that cannot be carved and must be worn away with abrasive paste ...
Jade objects of early ages (Neolithic through Zhou) fall into five categories: small decorative and functional ornaments such as beads, pendants, and belt hooks; weapons and related equipment; independent sculptural, especially of real and mythological animals; small objects of probably emblematic value, including the han (ornaments, often ...
The C-shaped jade totem of Hongshan culture (c. 4700–2920 BC) Warring States era dragon jade pendant. Dragons or dragon-like depictions have been found extensively in neolithic-period archaeological sites throughout China. Some of earliest depictions of dragons were found at Xinglongwa culture sites.