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Kathakali is different from a similar-sounding Kathak, though both are Indian classical dance traditions of "story play" wherein the stories have been traditionally derived from the Hindu epics and the Puranas. Kathak is an ancient performance art that emerged in North India, with roots in traveling bards retelling mythical and spiritual ...
Kathakali Prakaram, a seminal theoretical text for Kathakali. A. D. Boland referred this book while writing his book named "A guideto Kathakali" [1] He also focused on scripts concerning spiritual topics such as the translation of Chattampi Swamikal's Adibhasha from Tamil to Malayalam.
Kottarathil Sankunni (born Vasudevan, 1855–1937) was an Indian writer of Malayalam literature.Best known as the author of Aithihyamala, an eight-volume compilation of century-old legends about Kerala, [1] Sankunni's writings cover prose and poetry, including verses for Kathakali and Ottan Thullal.
Guru Gopinath has written books in Malayalam and English, which explain theory and practise of Indian and Kerala dances. Two books are in English- The classical Dance poses of India and Abinaya Prakashika (with Sanskrit slokas). Other books are: Kathakali Natanam (kathakali dancing) Natanakairali (Kerala dance) Thalavum Natanavum (rhythm and ...
Unnayi Warrier was a poet, writer, scholar, and dramatist who lived in Thiruvananthapuram, India during the 17th/18th century. He is best known for his chef-d'oeuvre Nalacharitham aattakatha and is known to have made significant contributions to the art of Kathakali, the classical dance-drama form of Kerala.
Ramanattam (Malayalam: രാമനാട്ടം, IAST: Rāmanāṭṭaṃ) is a temple art in Kerala, India.The dance drama presents the story of Rama in a series of eight plays and was created under the patronage of Veera Kerala Varma (AD 1653–1694) alias Kottarakkara Thampuran.
Karnasapatham (The Oath of Karna) is an Aattakatha (Kathakali play) written by Mali Madhavan Nair. It is one of the most popular [1] Kathakali plays, having been performed at over 5000 venues during the playwright's life time. [2] The play centres around Karna's emotional conflict after the mother of the Pandavas, Kunti reveals that he is her ...
Katha (or Kathya) is an Indian style of religious storytelling, performances of which are a ritual event in Hinduism.It often involves priest-narrators (kathavachak or vyas) who recite stories from Hindu religious texts, such as the Puranas, the Ramayana or Bhagavata Purana, followed by a commentary ().