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Death of the Virgin, Assumption of the Virgin Mary in art, Coronation of the Virgin although doctrine avoids stating whether Mary was alive or dead when she was bodily taken up to Heaven, she is normally shown in art as alive. Depicting the Coronation of Mary as Queen of the Heavens by her son, Jesus Christ, sometimes combined with the ...
Baby Jesus is lying gently in the Virgin Mary's arms with one hand from both on them on a pomegranate. Both the Virgin Mary and baby Jesus are displaying a sad face. The expression from Our Lady of Sorrows and baby Jesus is intended to remind the viewer of the pain and torture that the Child of God will endure in the future.
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
As Mary writes in the Magnificat, the infant Jesus guides her hand, looking up to the clear blue sky, or perhaps to his mother, softly returning his gaze. In her left hand she holds a pomegranate . The figures are placed in front of a bright and serene landscape, and the framing creates a division between Heaven and earth. [ 1 ]
The central and centered motif is the young Virgin Mary seated with Baby Jesus on her lap. [b] Depicted in sumptuous clothes and jewellery, with her left hand Mary holds a carnation (red, suggesting blood and the Passion). The faces are put into light while all other objects are darker, e.g. the flower is covered by a shadow.
The painting, which will need extensive restoration, shows the Virgin Mary, with blonde hair covered by a veil, holding a chubby baby Jesus on her lap — similar to other depictions by Botticelli ...