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The 13th-century book Ajā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt (The Wonders of Creation) by Zakariya al-Qazwini describes Islamic angelology, and is often illustrated with many images of angels. The angels are typically depicted with bright, vivid colors, giving them unusual liveliness and other-worldly translucence. [23]
Angel (Madonna song) Angel of the Resurrection (Tiffany Studios stained glass window) Angel, Still Groping; The Angels' Kitchen; Angelus Novus; The Annunciation (Tanner) The Apotheosis of Homer (Ingres) Apparition of Christ to the Virgin; Apparition of the Virgin to St Bernard (Fra Bartolomeo) The Apparition of the Virgin to Saint Bernard (Murillo)
The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.
[115] The 13th century book Ajā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt (The Wonders of Creation) by Zakariya al-Qazwini describes Islamic angelology, and is often illustrated with many images of angels. The angels are typically depicted with bright, vivid colors, giving them unusual liveliness and other-worldly translucence. [116]
Abbott Handerson Thayer (August 12, 1849 – May 29, 1921) was an American painter, naturalist, and teacher.As a painter of portraits, figures, animals, and landscapes, he enjoyed a certain prominence during his lifetime, [1] and his paintings are represented in major American art collections.
Raphael had a gift for creating images that evoked divinity in a subtle way and was known for being skillful at creating space within his compositions as well as movement captured at a standstill. Techniques used by Raphael were adopted at the Academie royale de peinture et de sculpture by Charles Le Brun as the foundation of French classicism ...
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Titian, The Archangel Raphael and Tobias (c. 1512−1514). Tobias and the Angel is the traditional title of depictions in art of a passage from the Book of Tobit in which Tobias, son of Tobit, travels with the Archangel Raphael without realising he is an angel (5.5–6) and is then instructed by Raphael what to do with a giant fish he catches (6.2–9).