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The unusual style at first glance resembles a European tapestry of the period, and elements of the composition are drawn from European prints. The landscape, water and sky use Chinese motifs and conventions. The piece uses cotton, wool, silk, and gold thread. [3] The other member of the set in Lyon shows The Vengeance of Hecuba. [4]
Tapestry of the Apocalypse, in Angers, designed by Jean Bondol. Jean Bondol, also known as Jean de Bruges, Jean Boudolf, or Jan Baudolf, was a Flemish artist who became a court artist of Charles V of France in 1368. He is documented as active between 1368 and 1381.
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
Polonius is a character in William Shakespeare's play Hamlet. He is the chief counsellor of the play's ultimate villain, Claudius , and the father of Laertes and Ophelia . Generally regarded as wrong in every judgment he makes over the course of the play, [ 1 ] Polonius is described by William Hazlitt as a "sincere" father, but also "a busy ...
The Triumph of Death, or the Three Fates, Flemish tapestry with a typical mille-fleurs background, c. 1510–1520 The birds and animals at inconsistent scales are a feature of the style Millefleur , millefleurs or mille-fleur ( French mille-fleurs , literally "thousand flowers") refers to a background style of many different small flowers and ...
Polonius comes rushing in. The King tells him he has seen the ghost of the dead king. Polonius tries to calm the King and warns him to beware lest a word betray them both. The King rushes out followed by Polonius. Hamlet emerges from behind the tapestry (Hamlet: Polonius est son complice! le père d'Ophélie! – "Polonius is his accomplice.
The nawie, nawki, sometimes also referred to as lalki [3] (Polish language; all plural forms) were used as names for the souls of the dead. According to some scholars (namely Stanisław Urbańczyk, among others), this word was a general name for demons arising out of the souls of tragic and premature deaths, killers, warlocks, the murdered and the Drowned Dead. [6]
The tapestry installed behind the altar, at the north end of the nave in Coventry Cathedral. The tapestry depicts a seated Risen Christ, within an oval mandorla on a green background, surrounded by the four living creatures mentioned in Chapter 4 of the Book of Revelation, which are also symbols of the Four Evangelists.