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Jeepers Creepers" is a popular song and jazz standard. The music was written by Harry Warren and the lyrics by Johnny Mercer for the 1938 movie Going Places . [ 1 ] It was premiered by Louis Armstrong and has been covered by many other musicians. [ 2 ]
Pages in category "Songs with music by Harry Warren" ... Jeepers Creepers (song) Journey to a Star; Just for You (Bing Crosby song) K (I've Got a Gal In) Kalamazoo;
Jeepers Creepers: Harry Warren: 1961 Love with the Proper Stranger Elmer Bernstein: From the film of the same name, Love with the Proper Stranger: 1954 Lonesome Polecat Gene de Paul: From the film Seven Brides for Seven Brothers? Once Upon a Summertime Eddie Barclay, Michel Legrand, Eddy Marnay: 1973 The Phony King of England Johnny Mercer
Jeepers Creepers may refer to: "Jeepers creepers", a minced oath substitute for the phrase "Jesus Christ" "Jeepers Creepers" (song), a popular 1938 song; Jeepers Creepers (1939 live-action film), a 1939 film starring Roy Rogers; Jeepers Creepers (1939 animated film), a 1939 animated short film featuring Porky Pig
The film was nominated for the Academy Award for Best Original Song for the song "Jeepers Creepers", premiered in this movie by Louis Armstrong, who sings it to a horse. Two earlier films, both entitled The Hottentot (1929) and The Hottentot (1922 silent version), were based on the same source. [1]
Jarama Valley (song) Jeepers Creepers (song) John Silver (song) Jul i främmande hamn; Jumpin' at the Woodside; K. Katyusha (song) Knees Up Mother Brown; L. Lili Marleen;
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
As of 2019, the Academy's rules stipulate that "an original song consists of words and music, both of which are original and written specifically for the motion picture.. It must be clearly audible, intelligible, substantive rendition (not necessarily visually presented) of both lyric and melody, used in the body of the motion picture or as the first music cue in the end credit