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Woman with Parakeet (French: La Femme à la perruche) is a painting by Pierre-Auguste Renoir created in 1871. It is in the holdings of the Solomon R. Guggenheim Museum in New York as part of the Thannhauser Collection. [1] The painting portrays model Lise Tréhot, who posed for Renoir in over twenty paintings during the years 1866 to 1872.
Women and Birds (French: Femmes et Oiseaux) is a 1963 painting by the Catalan artist Joan Miró. In February 2014 it was expected to be sold at auction for between $6.5m and $11.5m, but the auction was cancelled.
Woman, Bird, Star (Homage to Pablo Picasso) is an oil on canvas painting by Joan Miró, created between 1966 and 1973. [1] It has been in the collection of the Museo Nacional Centro de Arte Reina Sofía, in Madrid, since 1988. The painting was finished on the day of the death of Picasso, and so Miró decided to dedicate it to him. [2]
On either side of the woman are lotus and peony plants, the design of which was likely copied from Chinese porcelain or textiles. [1] In the background is a golden sky, beneath which are rocks characteristic of the Deccan, and a hill, atop which is a palace. The painting is surrounded by poetic texts in Persian, on all four sides. [2] [5] [6]
This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.
Dona i Ocell (Catalan: [ˈdɔ.nə i uˈseʎ], "Woman and Bird") is a 22-metre high sculpture by Joan Miró located in the Parc de Joan Miró park, in Barcelona, Catalonia, Spain. The sculpture was covered in tiles by the artist's collaborator Joan Gardy Artigas . [ 2 ]
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Blackburn illustrated 27 books. A lost oil painting, "Plough Horse Startled by a Railway Engine", was exhibited at the Royal Academy in 1849 and at the first exhibition of the Society of Female Artists in London in 1857. [3] In the same year, she was asked to contribute to the first exhibition of contemporary British art in America.