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Ikaw Lamang (International title: No Greater Love / transl. only you) is a 2014 Philippine television drama series broadcast by ABS-CBN. Directed by Malu L. Sevilla, Avel E. Sunpongco and Manny Q. Palo, it stars Kim Chiu and Coco Martin , Julia Montes , Jake Cuenca and KC Concepcion .
Sabay sa Ihip ng Hangin and Gabii are the only songs in this album that were not composed by Jesuit priests or religious persons. Sabay sa Ihip ng Hangin was originally intended as a love song. Guest composer Vincent de Jesus composed the soundtrack for the ABS-CBN telenovela Bituing Walang Ningning and for the award-winning movie Crying Ladies ...
Rommel Nazareno Angara (/ ˈ r ɒ m əl ˌ n æ z ə ˈ r iː n oʊ ə ŋ ˈ ɡ ɑːr ə / ROM-əl NAZ-ə-REE-noh əng-GAR-ə, Tagalog: [rɔˈmel nazaˈrɛno aŋˈɡarɐ]; born August 20, 1980) is a Filipino poet [1] [2] and essayist.
As per the band members, Siakol is a term they coin which pertains to a "free, happy and sometimes naughty state of mind". It is also alluded to be a word play of jakol, Filipino slang for masturbation.
His most notable recent comedy film was Weyt a Minute, Kapeng Mainit was released in 2001 by Viva Films, and Juan & Ted: Wanted with Bayani Agbayani, Carla Guevarra, Anne Curtis-Eussaff, comedian Romy "Dagul" Pastrana, and comedian Ching Arellano; it was released also in 2001.
True Faith is a band from the Philippines, formed in 1991.They have become one of the Philippines' most popular and accomplished bands. [citation needed]The band took its name from New Order's 1987 hit single "True Faith", revealing the group's new wave origins.
The Itchyworms is a Filipino rock band.The band is composed of Jazz Nicolas on lead vocals, drums and piano, Jugs Jugueta on co-lead vocals, keys and guitars, Kelvin Yu on bass guitars, Chino Singson on lead guitars, Weckl Mercado on guitars, and Mikey Amistoso on guitars and keys.
These albums include the songs Huling Balita (Last News), Martsa ng Bayan (March of the Nation), the lullaby Meme Na (Sleep Now) and Pitong Libong Pulo (Seven Thousand Islands). His themes and the Filipino lower-class characters in his songs evolved from the political and social realities during the decade of Marcos despotism in the 1970s.