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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Caillat described the instrument as having "great action but also a dark quality". To achieve a brighter tone from the piano, Caillat used some tube U-47 microphones and applied some EQ to the instrument. McVie held down the piano's sustain pedal and played whole notes on beat 1 of the verses to create a "dramatic" effect. To extend the ...
The second verse of the song adds accompaniment from acoustic guitar and tambourine. Tim Riley writes that, with the "restrained tom-tom and cymbal fill" that introduces the drum part, "the piano shifts downward to add a flat seventh to the tonic chord, making the downbeat of the bridge the point of arrival ('And any time you feel the pain ')."
played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato Articulate assai
On a piano, played with the soft pedal depressed (For why both terms exist, see Piano#Pedals.) Tre corde or tutte le corde: three strings or all the strings: Cancels una corda Glissando: gliding, glossing: A sweeping glide from one pitch to another used for dramatic effect Legato: tied: A series of notes played with a smooth connection between ...
In other contexts, it refers to discrete, stepped glides across notes, such as on a piano. Some terms that are similar or equivalent in some contexts are slide , sweep bend , smear , rip (for a loud, violent glissando to the beginning of a note), [ 1 ] lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument ...