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Starting in 1999, Jody Espina collaborated with Runyon and his production staff to develop the mouthpiece designs and prototypes that would launch the Jody Jazz line of high-end mouthpieces. [5] After Santy's death in 2003, the Runyon Products Company continued to operate as a family-owned business until it shut down in the late 2010s (around ...
After several years of research and development, he invented "doubling" mouthpieces for brass musicians, which he patented with Patent #2,917,964. He was a mouthpiece consultant, manufacturer of brass mouthpieces for trumpeter, jazz musician, and creator of bebop John Birks; Dizzy Gillespie ; and many other legends from the Big Band era.
Wilton Lewis Felder (August 31, 1940 – September 27, 2015) was an American saxophone and bass player, and is best known as a founding member of the Jazz Crusaders, later known as The Crusaders. Felder played bass on the Jackson 5 's hits " I Want You Back " and " ABC " and on Marvin Gaye 's " Let's Get It On ".
The Rolling Stone Jazz Record Guide [ 4 ] Allmusic awarded the album 3 stars stating that "Despite the changes in musical fashions, Art Blakey and his hard-bop institution were still turning out new material and solos in the late '70s that sound fresh and alive today".
Mouthpiece selection is a highly personal decision. Thus, a symphonic trombonist might prefer a mouthpiece with a deeper cup and sharper inner rim shape in order to produce a rich symphonic tone quality, while a jazz trombonist might choose a shallower cup for brighter tone and easier production of higher notes. Further, for certain ...
The mouthpiece of the tenor saxophone is proportionally larger than that of the alto, necessitating a similarly larger reed. The increased stiffness of the reed and the greater airflow required to establish resonance in the larger body means the tenor sax requires greater lung power but a looser embouchure than the higher-pitched members of the ...