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One of the most traditional classical music events in Chile is the “Semanas musicales de Frutillar” (Frutillar musical weeks) in the southern city of Frutillar in Los Lagos Region (Region of the Lakes). The festival take place between January and February every year, and consists of 40 or more classical concerts performed by both Chilean ...
The Chilean New Song movement was spurred by a renewed interest in Chilean traditional music and folklore in the late 1950s and early 1960s. Folk singers such as Violeta Parra and Víctor Jara traversed the regions of Chile both collecting traditional melodies and songs and seeking inspiration to create songs with social themes. These songs ...
In Chile, the cueca developed and spread in bars and taverns, [12] which were popular centers of entertainment and parties in the nineteenth century. [13] During Fred Warpole's stay in Chile between 1844 and 1848, he described some characteristics of the dance: guitar or harp accompaniment, hand drumming or tambourine for rhythm, high-pitched singing, and a unique strumming pattern where the ...
The Guitarrón Chileno (literally: "large Chilean guitar") is a guitar-shaped plucked string instrument from Chile, with 25, 24 (rarely), or even 26 strings. Its primary contemporary use is as the instrumental accompaniment for the traditional Chilean genre of singing poetry known as Canto a lo Poeta , though a few virtuosi have also begun to ...
Pages in category "Music of Chile" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. ...
The Huasos of Central Chile and their native or folk music and dance are central to Chilean folk culture. Even though the folk traditions of Central Chile are central to Chilean cultural and national identity, Chile is both geographically and culturally diverse with both the North and the South having their own folk music and dance due to ...
Margot Loyola in 2013. Margot Loyola Palacios (September 15, 1918 – August 3, 2015) was a Chilean folklorist, musician, dancer, and teacher. She is considered one of the most influential musicians of Chile, pioneering folkloric research and transforming traditional music education and performance.
A neo-folk movement developed with the aim of recovering traditional Chilean folk music and merging it with Latin American rhythms such as andean music. This would have its fullest expression in the Nueva Canción Chilena (the New Chilean Song), which grew up in parallel to other nueva canción movements across Latin America. [13] [14]