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Dada was born out of negative reaction to the horrors of World War I. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zürich. Dada rejected reason and logic, prizing nonsense, irrationality, and intuition. The origin of the name Dada is unclear; some believe that it is a nonsense word.
La Revue Dada 2, which also includes the onomatopoeic line tralalalalalalalalalalala, is one example where Tzara applies his principles of chance to sounds themselves. [224] This sort of arrangement, treasured by many Dadaists, was probably connected with Apollinaire's calligrams, and with his announcement that "Man is in search of a new language."
Raoul Hausmann (July 12, 1886 – February 1, 1971) was an Austrian artist and writer. One of the key figures in Berlin Dada, his experimental photographic collages, sound poetry, and institutional critiques would have a profound influence on the European Avant-Garde in the aftermath of World War I.
New York Dada was a regionalized extension of Dada, an artistic and cultural movement between the years 1913 and 1923. ... and criticism of art, being produced in the ...
Philippe Soupault (2 August 1897 – 12 March 1990) was a French writer and poet, novelist, critic, and political activist. He was active in Dadaism and later was instrumental in founding the Surrealist movement with André Breton. [1]
Gabrièle Buffet-Picabia (often spelled Gabrielle Buffet-Picabia; née Buffet; 21 November 1881 – 7 December 1985) [1] was a French art critic and writer affiliated with Dadaism. She was an organiser of the French resistance and the first wife of artist Francis Picabia.
This and Duchamp's other works are generally labelled as Dada. Duchamp can be seen as a precursor to conceptual art. Some critics question calling Duchamp—whose obsession with paradox is well known—postmodernist on the grounds he eschews any specific medium, since paradox is not medium-specific, although it arose first in Manet's paintings ...
One of his friends, Enrico Baj, said that the cans were meant as "an act of defiant mockery of the art world, artists, and art criticism". [1] Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general.