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People like to explicitly state the setting of a story even when it's irrelevant. The worst writing uses "in the year", which is pointlessly verbose. "The story takes place in the city of London in the year 1522." → "In 16th century London, ..." "Far in the future, in the year 2760, a thief plots her heist." → "In 2760, a thief plots her ...
Most of these techniques remain hallmarks of Wolfe's writing style throughout his career, including in his publications following The Kandy-Kolored Tangerine-Flake Streamline Baby: The Pump House Gang, another collection of essays, and The Electric Kool-Aid Acid Test, Wolfe's chronicle of Ken Kesey and the Merry Pranksters.
Examples include The Busconductor Hines (1984), A Disaffection (1989), How Late It Was, How Late (1994) and many of his short stories. [40] With regard to Salman Rushdie, one critic comments that "[a]ll Rushdie's novels follow an Indian/Islamic storytelling style, a stream-of-consciousness narrative told by a loquacious young Indian man". [41]
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Obviously when you're writing a plot summary, you probably won't go into as much careful detail in thinking about every decision—for the most part, some aspects, such as picking what is important and what's not is intuitive, and doesn't require a lot of analysis. However, this example gives a sense of the logic that underlies a good summary.
Example: Monty Python and the Holy Grail has jokes and phrases that have entered popular parlance but have little effect on the story's actual progression; however, the murder of the historian in one scene is a sight gag that is actually plot-relevant and should be described briefly. Using infoboxes intended for real-world topics.
Creative nonfiction: factual narrative presented in the form of a story so as to entertain the reader. Personal narrative: a prose relating personal experience and opinion to a factual narrative. Essay: a short literary composition, often reflecting the author's outlook or point of view. Position paper
[6] Baker also notes that the writing style of the "iceberg theory" suggests that a story's narrative and nuanced complexities, complete with symbolism, operate under the surface of the story itself. [6] For example, Hemingway believed a writer could describe an action, such as Nick Adams fishing in "Big Two-Hearted River," while conveying a ...