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The crucifixion of Jesus is one of the most illustrated events in human history.. For centuries, artists have reimagined it as a form of remembrance and as a means to convey the story of brutality ...
The crucifixion of Jesus is central to Christianity [1] and the cross (in Roman Catholicism usually depicted with Jesus nailed to it) is Christianity's preeminent religious symbol. His death is the most prominent example of crucifixion in history, which in turn has led many cultures in the modern world to associate the execution method closely ...
Although Christian views of Jesus vary, it is possible to summarize the key beliefs shared among major denominations, as stated in their catechetical or confessional texts. [11] Generally speaking, adhering to the Christian faith requires a belief that Jesus is the Son of God and the Messiah or Christ. Jesus refers to himself as the Son of God ...
The crucifix is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Catholic Church , and is also used in the Lutheran Churches , Anglican Churches , Eastern Orthodox Church , and in most Oriental Orthodox Churches (except the Armenian Church and ...
Crucifixion of Jesus on a two-beamed cross, from the Sainte Bible (1866) Torture stake, a simple wooden torture stake. Image by Justus Lipsius. Whereas most Christians believe the gibbet on which Jesus was executed was the traditional two-beamed cross, the Jehovah's Witnesses hold the view that a single upright stake was used. The Greek and ...
The Koine Greek terms used in the New Testament of the structure on which Jesus died are stauros (σταυρός) and xylon (ξύλον).These words, which can refer to many different things, do not indicate the precise shape of the structure; scholars have long known that the Greek word stauros and the Latin word crux did not uniquely mean a cross, but could also be used to refer to one, and ...
Martyrdom was a formative experience and influenced how Christians justified or condemned the use of violence in later generations. [34] Thus, the collective memory of religious suffering found in early Christian works on the historical experience of persecution, religious suffering and martyrdom shaped Christian culture and identity. [35]
The catalogue of a 2007 exhibition says: "The appearance of the Crucifixion on a gem of such an early date suggests that pictures of the subject (now lost) may have been widespread even in the late second or early third century, most likely in conventional Christian contexts".