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Interest in Joplin's music revived in the 1960s. In 1970, a copy of the National roll (which did not credit Joplin) was discovered in the garage of a collector. While some doubted its authenticity, the piece was transcribed into musical notation for inclusion in Vera Brodsky Lawrence's The Collected Works of Scott Joplin , published in 1971.
"The Silver Swan" is a madrigal by Orlando Gibbons (1583–1625), composed during the early Baroque period. Gibbons's best-known song and among the most admired English madrigals, it is scored for five voices— cantus , quintus , alto , tenor and bass .
The success of his albums allowed Swan to form a touring group with whom he played extensively in New York City and Las Vegas. [2] Schwandt retired from music in the mid-1960s and eventually moved to Miami, Florida, where he died July 23, 1998, at the age of 94. [3]
Leonardo da Vinci also mentioned the legend in his notebooks: "The swan is white without spot, and it sings sweetly as it dies, that song ending its life." [15] In Shakespeare's The Merchant of Venice, Portia exclaims "Let music sound while he doth make his choice; / Then, if he lose, he makes a swan-like end, / Fading in music."
Swan, inspiration for Saint-Saëns' piece Le cygne "Le cygne", pronounced [lə siɲ], or "The Swan", is the 13th and penultimate movement of The Carnival of the Animals by Camille Saint-Saëns. Originally scored for solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello ...
Paul Hindemith's Der Schwanendreher (literally, "The Swan Turner") is a concerto for viola and orchestra. Der Schwanendreher occupies a place at the core of the viola concerto repertoire, along with the concertos by Walton and Bartók. It was composed in 1935 and premiered by the composer himself at a performance in Amsterdam on 14 November 1935.