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Ramana Maharshi distinguished between kevala nirvikalpa samadhi and sahaja nirvikalpa samādhi: [95] [web 5] [web 6] Sahaja samadhi is a state in which a silent level within the subject is maintained along with (simultaneously with) the full use of the human faculties. [95]
Gunaratana notes that "[t]he classical source for the distinction between the two vehicles of serenity and insight is the Visuddhimagga." [29] Ajahn Brahm (who, like Bhikkhu Thanissaro, is of the Thai Forest Tradition) writes that Some traditions speak of two types of meditation, insight meditation (vipassanā) and calm meditation (samatha). In ...
The later commentarial tradition interprets YS 1.17, which describes samprajnata, as meditation with support of an object of meditation, and YS 1.18 as describing asamprajnata samadhi (YS 1.18), meditation without support of an object of meditation, [70] though the term asamprajnata samadhi is not used in the Yoga Sutras.
Buddhist music retains a prominent place in many Buddhist traditions, and is usually used for ceremonial and devotional purposes. [5] Buddhist music and chanting is often part of Buddhist rituals and festivals in which they may be seen as offerings to the Buddha. [6] Most Buddhist music includes chanting or singing, accompanied by instruments.
Buddhist meditation is the practice of meditation in Buddhism.The closest words for meditation in the classical languages of Buddhism are bhāvanā ("mental development") [note 1] and jhāna/dhyāna (a state of meditative absorption resulting in a calm and luminous mind).
Kodo Sawaki practicing zazen. Zazen is a meditative discipline that is typically the primary practice of the Zen Buddhist tradition. [1] [2]The generalized Japanese term for meditation is 瞑想 (meisō); however, zazen has been used informally to include all forms of seated Buddhist meditation.
Meditation music is music performed to aid in the practice of meditation.It can have a specific religious content, but also more recently has been associated with modern composers who use meditation techniques in their process of composition, or who compose such music with no particular religious group as a focus.
[14] Bhava samadhi occurs when the emotions are perfectly channelled into one-pointed concentration on the object of one's devotion. [15] It has also been described as "Absorption in meditation due to emotional cause, e.g. kirtan [devotional music]" [16] and "sheer ecstasy, a condition caused when the heart is seized by the Divine embrace." [17]