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The indigenous peoples of the Cordillera in northern Luzon, Philippines, often referred to by the exonym Igorot people, [2] or more recently, as the Cordilleran peoples, [2] are an ethnic group composed of nine main ethnolinguistic groups whose domains are in the Cordillera Mountain Range, altogether numbering about 1.8 million people in the early 21st century.
The Isinai/Isinay are a small ethnic group living in the Cagayan Valley, specifically in the municipalities of Bambang, Dupax del Sur, Aritao in Nueva Vizcaya, as well as around Quirino province, and in the northern areas of Nueva Ecija and Aurora. Their ethnic communities show a decline in population, with only around 12,600 members on record.
The word Maguindanao or Magindanaw means "people of the flood plains", from the word Magi'inged that means "people or citizen" and danaw that means "lake or marsh". Thus Maguindanao or Magindanaw can also be translated as "people of the lake", identical to their close neighbors, the Maranao and Iranun.
As Muslim-majority ethnic groups, they form the largest non-Christian population in the Philippines, [4] and according the 2020 census conducted by the Philippine Statistics Authority, they comprise about 6.5% of the country's total population, or 7.1 million people. [1] Most Moros are followers of Sunni Islam of the Shafiʽi school of fiqh.
Kulintang (Indonesian: kolintang, [13] Malay: kulintangan [14]) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.
The Maguindanao kulintang ensemble, called basalen or palabunibuniyan is the traditional gong chime ensemble of the Maguindanao.Other forms of the kulintang ensembles are played in parts of Southeast Asia especially in the eastern parts of Maritime Southeast Asia — southern Philippines, eastern Indonesia, eastern Malaysia, Brunei and Timor. [1]
The term is also used to mean the swing itself, a representation of a mythic vessel used for journeying. Several male dancers move in rhythm to the music of a gong and drum ensemble, which are played beside the swinging sinalimba. At a given precise movement, one of them leaps onto the platform, steadies himself, and moves with the momentum of ...
Chapter II, Section 3h of the Indigenous Peoples' Rights Act of 1997 defines "indigenous peoples" (IPs) and "indigenous cultural communities" (ICCs) as: . A group of people or homogenous societies identified by self-ascription and ascription by others, who have continuously lived as organized community on communally bounded and defined territory, and who have, under claims of ownership since ...