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Duet for One is a 1986 British drama film adapted from the play, a two-hander by Tom Kempinski, about a world-famous concert violinist named Stephanie Anderson who is suddenly struck with multiple sclerosis. [3] It is set in London, and directed by Andrei Konchalovsky.
Thomas Michael John Kempinski (24 March 1938 – 2 August 2023) was an English playwright and actor [1] best known for his 1980 play Duet for One, which was a major success in London and New York City, and much revived since. Kempinski also wrote the screenplay for the film version of Duet for One. [2]
Instrumental duet albums (107 P) P. Compositions for piano four-hands (1 C, 29 P) Compositions for two pianos (2 C, 30 P) V. Vocal–instrumental collaborations (1 C ...
Pages in category "Instrumental duet albums" The following 106 pages are in this category, out of 106 total. This list may not reflect recent changes. 0–9.
The instrumental peaked at number two for three weeks on the Billboard Hot 100, [4] and was the biggest R&B hit of the year, spending thirteen non-consecutive weeks at the top of the charts. [5] It was included in Robert Christgau 's "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the ...
Max von Sydow (/ f ɒ n ˈ s iː d oʊ /,; [1] born Carl Adolf von Sydow; 10 April 1929 – 8 March 2020) was a Swedish actor. He had a 70-year career in European and American cinema, television, and theatre, appearing in more than 150 films and several television series in multiple languages.
In 1939, three versions reached the music charts: Larry Clinton (No. 1), Eddy Duchin (No. 12), and Al Donahue (No. 16). A version by The Four Aces with the Jack Pleis Orchestra reached No. 11 in 1952, and a version by Johnny Maddox reached No. 57 in 1956. In 1961, The Cleftones version reached No. 18 and the one by Jan and Dean reached No. 25.
The initial critical response to the show was resoundingly negative. Critics savaged Lerner's book while largely praising Bernstein's score. [3] Only Patricia Routledge was spared, thanks mostly to her second act showstopper "Duet for One (The First Lady of the Land)" [4] for which she received a mid-show standing ovation on opening night in New York and a mid-show standing ovation from the ...