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Pyotr Ilyich Tchaikovsky's Trio in A minor, Op. 50, was written in Rome between December 1881 and late January 1882. It is subtitled À la mémoire d’un grand artiste [In memory of a great artist], in reference to Nikolai Rubinstein, his close friend and mentor, who had died on 23 March 1881. It is scored for piano, violin, and cello.
Op. 1 Two Pieces for piano (1867) Scherzo à la russe in B ♭ major; Impromptu in E ♭ minor; Op. 2 Souvenir de Hapsal, 3 pieces for piano (1867) Op. 3 The Voyevoda, opera (1868) Op. 4 Valse-caprice in D major, for piano (1868) Op. 5 Romance in F minor, for piano (1868) Op. 6 6 Romances (1869), including "None but the lonely heart"
Pages in category "Piano compositions by Pyotr Ilyich Tchaikovsky" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes .
Souvenir de Hapsal consists of three pieces for the piano: [3] Ruines d'un château, E minor; Scherzo, F major; Chant sans paroles, F major. The Scherzo was first performed by Nikolai Rubinstein on 27 February 1868. The conductor Max Erdmannsdörfer orchestrated Chant sans paroles, which pleased Tchaikovsky so much that he conducted it himself. [4]
While the contributions of the Russian nationalistic group The Five were important in their own right in developing an independent Russian voice and consciousness in classical music, Tchaikovsky's formal conservatory training allowed him to write works with Western-oriented attitudes and techniques, showcasing a wide range and breadth of technique from a poised "Classical" form simulating 18th ...
What is known as the Andante and Finale had its genesis as the slow movement and finale of Tchaikovsky's Symphony in E-flat, a work he started writing in 1892.He abandoned the symphony in December 1892, but after his nephew Bob Davydov chided him, he began reworking it into a piano concerto, his third, which he promised to the French pianist Louis Diémer.
• A Garland for Linda • A German Requiem (Brahms) • A German Requiem discography • A Handshake in the Dark • A Hero's Song • A Hundred Hardanger Tunes • A Hymn of St Columba • A Hymn to God the Father • À la musique • A la Verge Santíssima: Dues Lletretes a Una Veu • A Land of Pure Delight • A Little Suite for ...
[3] Valse: Moderato tempo di valse Unlike Tchaikovsky's previous waltzes, the theme is more animated and wide-ranging and includes changes in pace which would create havoc in a ballet performance. What is most notable, though, is not the tune but the orchestration.