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"The Molecular Gaze: Art in the Genetic Age," Suzanne Anker & Dorothy Nelkin, Cold Spring Harbor Laboratory Press, 2003 "City Art: New York's Percent For Art Program," Eleanor Heartney, Merrell, 2005 "The Downtown Book: The New York Art Scene, 1974-1984," Marvin J. Taylor, Fales Library, Austin Museum of Art, Princeton University Press, 2006
Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in bioart, [1] she has been working on the relationship of art and the biological sciences for more than twenty five years.
In 2004, Suzanne Anker and Dorothy Nelkin's The Molecular Gaze also helped establish the integration of molecular biology with artistic practice. [27] [28] In 2015-2016 Amy Karle created Regenerative Reliquary, a sculpture of bio-printed scaffolds for human MSC stem cell culture into bone, in the shape of a human hand form installed in a vessel.
But the theme is even longer: long as the genetical persistance of human memory. As announced by the prophet Isaiah—the Saviour contained in God's head from which one sees for the first time in the iconographic history his arms repeating the molecular structures of Crick and Watson and lifting Christ's dead body so as to resuscitate him in ...
Gorilla (sculpture) (1961) – Crystal Palace Park, south London, a sculpture of Guy the Gorilla; Grizzly Bear – Donald M. Kendall Sculpture Gardens, Purchase, New York; Leaping Salmon (1980) – Kingston upon Thames; The Messenger (1981) – Sutton, London; Queen Elizabeth Gate (1992) – Hyde Park Corner; Risen Christ and Seraphim (1985 ...
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n November 1954, 29-year-old Sammy Davis Jr. was driving to Hollywood when a car crash left his eye mangled beyond repair. Doubting his potential as a one-eyed entertainer, the burgeoning performer sought a solution at the same venerable institution where other misfortunate starlets had gone to fill their vacant sockets: Mager & Gougelman, a family-owned business in New York City that has ...
Michael Rees is an American artist practicing sculpture making, installation, animation, and interactive computing.He has exhibited his works widely, including at the Whitney Museum of American Art, New York, NY (1995 Whitney Biennial, 2001 Bitstreams Exhibition); Bitforms gallery, Universal Concepts Unlimited, The Aldrich Museum of Contemporary Art, Ridgefield, CT (Putto Large and Moving 2004 ...