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" Zueignung" (translated as "Dedication" or "Devotion") is a Lied composed by Richard Strauss in 1885 (completed 13 August), setting a poem by the Austrian poet Hermann von Gilm. It was included in Strauss's first published collection of songs, as Op . 10 in 1885.
" Die Nacht" ("The Night") is an art song composed by Richard Strauss in 1885, setting a poem by the Austrian poet Hermann von Gilm. It was included in the first collection of songs Strauss ever published, as Op. 10 in 1885 (which also included "Zueignung"). The song is written for voice and piano.
It is the last in a collection of eight songs which were all settings of Gilm poems from the same volume entitled Acht Lieder aus Letzte Blätter (Eight Songs from Last Pages), the first collection of songs Strauss ever published as Op. 10 in 1885, also including "Zueignung" (Dedication) and "Die Nacht" (The Night).
The Protocols of the Elders of Zion [b] [c] is a fabricated text purporting to detail a Jewish plot for global domination. Largely plagiarized from several earlier sources, it was first published in Imperial Russia in 1903, translated into multiple languages, and disseminated internationally in the early part of the 20th century.
After von Asow's death Franz Trenner (d. 1993) and Alfons Ott (d. 1976) published the third volume, based on von Asow's notes; this catalogue lists 323 titles, including Strauss's literary writings. The numbers for compositions from this catalogue are shown in the column " AV " in the table below.
View a machine-translated version of the Russian article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Strauss himself called this opera his "child of woe"; he even called it Die Frosch [This quote needs a citation] ("Frosch" means "frog" in German), that is "Die Frau ohne Schatten"). The complexity of the text and the stress of wartime made its composition a laborious task, and Strauss was also disappointed with the first productions.
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