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Research also indicates that color in video games can elicit various emotions in the player. Feelings of joy and sadness were strongly associated with the brightness, value, saturation, chroma and lightness of the game being played. The greater the color saturation was in the video game, the more strongly felt these emotions were among the players.
According to Compton, pink is often associated with beauty, in part because of cosmetics and cosmeceuticals. In Sandro Botticelli’s “Birth of Venus” painting, Venus is accompanied by falling ...
A further study tested positive or negative emotional associations of pink, blue, and red among Swiss adults using the Geneva Emotion Wheel. All three hues were associated with positive emotions to the same extent among men and women. Where there were gender-based differences, pink was found to elicit more positive associations among women. [49]
pink: Heartfelt emotion or gratitude purple: A desire to deeply understand someone blue: Frigidity and apology white: Boasting, bragging, purity, grace and abundance
Pink is a prominent secondary or tertiary color in many color space models. It is associated with softness, sweetness, love, and immaturity. [25] There is an urban legend that pink was a masculine color before the mid 20th century, [citation needed] based on evidence of conflicting traditions
Baker–Miller Pink, also known as P-618, Schauss pink, or Drunk-Tank Pink is a tone of pink which has been observed to temporarily reduce hostile, violent or aggressive behavior. [1] It was originally created by mixing white indoor latex paint with red trim semi-gloss outdoor paint in a 1:8 ratio by volume.
Emotion classification, the means by which one may distinguish or contrast one emotion from another, is a contested issue in emotion research and in affective science. Researchers have approached the classification of emotions from one of two fundamental viewpoints: [citation needed] that emotions are discrete and fundamentally different constructs
The first concrete term associated with chromesthesia was given by Charles-Auguste-Édouard Cornaz in an eye disease dissertation in 1848. Color blindness was a common condition known as chromatodysopsia and, since Cornaz saw chromesthesia as the opposite, he named it hyperchromatopsia or perception of too many colors.