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The terms "star-crossed" and "star-crossed lovers" refer to two people who are not able to be together for some reason. These terms also have other meanings, but originally mean that the pairing is being "thwarted by a malign star" or that the stars are working against the relationship. [ 1 ]
Still Star-Crossed is an American period drama television series developed by Heather Mitchell and based on the 2013 novel of the same name by Melinda Taub, [1] itself a sequel to William Shakespeare's Romeo & Juliet. The series is produced by Shonda Rhimes's Shondaland and ABC Studios, and aired on ABC during the 2016–17 television season. [2]
[2] [3] But after learning about the structure of ancient Greek theatres, she described its concept as chronicling a "modern tragedy in three acts", and influenced William Shakespeare's famous play Romeo and Juliet and other Greek tragedies for the same. She further elaborated its concept in the interaction, saying: "It's to be f**ked by love ...
2/5 Hot on the heels of his triumphant ‘Sunset Boulevard’ revival, Jamie Lloyd has recruited one of the biggest young stars in Hollywood to take on Shakespeare – but this stripped back ...
Ricky Vigil M / Justin E Palmer/GC Images Zendaya didn’t join boyfriend Tom Holland on stage while attending his Romeo & Juliet performance, but she was dressed as the perfect star-crossed lover.
Rockin' Romeo & Juliet (2006); musical film in which Romeo is a modern rock star wooing Juliet with his singing ability; directed by David McGaw (USA) Romeo and Juliet: A Monkey's Tale (2006); fictional-documentary in which two monkeys from rival cliques fall in love; directed by Karina Holden (Australia) Guca!
The phrase is spoken in Act 3, Scene 1 of the tragedy. Tybalt, a kinsman of the Capulets and cousin to Juliet, is dueling with Mercutio, a friend of Romeo from the Montague family. Romeo and Benvolio attempt to break up the fight. Mercutio, distracted, does not see his opponent and is fatally wounded by Tybalt under Romeo's arm.
The question that’s put fizz in pop songs and shudders in drama reverberates throughout John Cranko’s “Romeo and Juliet,” a full-evening ballet with a Sergei Prokofiev score.