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Broadcast engineering or radio engineering is the field of electrical engineering, and now to some extent computer engineering and information technology, which deals with radio and television broadcasting. Audio engineering and RF engineering are also essential parts of broadcast engineering, being their own subsets of electrical engineering.
The median annual salary for a fuel cell engineer is $99,510. There’s more good news. Fuel cell engineering is another industry with a huge upside — the BLS estimates 11% job growth in this field.
An audio engineer with audio console, at a recording session at the Danish Broadcasting Corporation. An audio engineer (also known as a sound engineer or recording engineer) [1] [2] helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound.
Sound mixer at work. A production sound mixer, location sound recordist, location sound engineer, or simply sound mixer is the member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment, for later inclusion in the finished product, or for reference to be used by the sound ...
Sound Engineer; Sound Technician (A1) Sound Technician (A2) Scenic artist; Stagehands; Stage manager; ASM (Assistant Stage Manager) Technical director; Theatrical ...
The A2's job may include monitoring a microphone receiver rack such as the one pictured. A2 is an abbreviation for "Production Audio Technician", Audio Assistant, Second Audio Assistant, or Second Assistant Audio Engineer. Any of these three terms, or any similar term such as Mic Wrangler, may be used to describe the same set of duties.
In the October report, the BLS estimated that 254,000 jobs were created in September, but that number could vary by as much as 130,000. The actual number of jobs added could be as high as nearly ...
During production or earlier parts of post-production, sound editors, sound designers, sound engineers, production sound mixers and/or music editors assemble the tracks that become raw materials for the re-recording mixer to work with. Those tracks in turn originate with sounds created by professional musicians, singers, actors, or Foley artists.