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A disc cutting lathe is a device used to transfer an audio signal to the modulated spiral groove of a blank master disc for the production of phonograph records. Disc cutting lathes were also used to produce broadcast transcription discs and for direct-to-disc recording.
These top-quality blanks were intended for cutting the master discs that, once silver-coated, would be electrodeposited with nickel in order to electroform parts used in making stampers (negative profile metal moulds) for pressing ordinary records. Lower-quality blanks were considered adequate for non-critical uses such as tests and demo discs.
Scully 280 eight-track recorder at the Stax Museum of American Soul Music. In 1961, recognizing the limited market for professional disc cutting lathes and facing increased competition from Neumann, whose disc cutting lathes were no longer restricted from being imported to the United States, [5] Scully Recording Instruments entered the tape recorder market.
DMM copper disc sitting on the turntable of a Neumann AM32 lacquer cutting lathe, built in the 1930s. Direct metal mastering (DMM) is an analog audio disc mastering technique jointly developed by two German companies, Telefunken-Decca and Georg Neumann GmbH, toward the end of the 20th century after having seen the same technology used by RCA Princeton Labs for its SelectaVision videodiscs in ...
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European shellac records – In the first three decades of the twentieth century European companies including Pathé, Odeon, and Fonotipia made recordings in a variety of sizes, including 21 cm. [citation needed] 9 in (23 cm) Early American shellac records – Prior to 1910, nine-inch brown shellac records were issued under the Zon-O-Phone label.