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  2. Relative key - Wikipedia

    en.wikipedia.org/wiki/Relative_key

    For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor ...

  3. D major - Wikipedia

    en.wikipedia.org/wiki/D_major

    In addition, Bach's Mass in B minor has D major as the relative major, and most of the major choruses in this key (Gloria, Cum Sancto Spiritu, Sanctus, Hosanna) make extensive use of trumpets. 23 of Haydn's 104 symphonies are in D major, making it the most-often used main key of his symphonies.

  4. Closely related key - Wikipedia

    en.wikipedia.org/wiki/Closely_related_key

    In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.

  5. D minor - Wikipedia

    en.wikipedia.org/wiki/D_minor

    Similar to a D minor symphony ending in D major, as with Beethoven's Symphony No. 9, a D major symphony can have for its allegro first movement a slow introduction in D minor. Robbins Landon wrote that "Tonic minor Adagio introductions, especially in the key of D minor, were very popular with English composers of the year 1794", and Joseph ...

  6. D-flat major - Wikipedia

    en.wikipedia.org/wiki/D-flat_major

    C-sharp major, the enharmonic equivalent to D-flat major, has seven sharps, whereas D-flat major only has five flats; thus D-flat major is often used as the parallel major for C-sharp minor. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor, and to some extent, with the keys of G-flat major and F-sharp minor).

  7. Modulation (music) - Wikipedia

    en.wikipedia.org/wiki/Modulation_(music)

    Modulation from D major to Dmajor in Schubert's Op. 9, No. 14, D. 365, mm. 17–24, using the German sixth, in the new key, that is enharmonic to the dominant seventh in the old key. [8] Play ⓘ Modulation from A minor to E ♭ minor in Schubert's Op.29, D. 804, I, mm.144-49, using vii o 7: G ♯ o 7 ≡ D o 7 (≡ B o 7 ≡ F o 7) [9 ...

  8. D-sharp minor - Wikipedia

    en.wikipedia.org/wiki/D-sharp_minor

    Its relative major is F-sharp major (or enharmonically G-flat major). Its parallel major, D-sharp major, [2] is usually replaced by E-flat major, since D-sharp major's two double-sharps make it impractical to use. Its enharmonic equivalent, E-flat minor, has six flats. The D-sharp natural minor scale is:

  9. B minor - Wikipedia

    en.wikipedia.org/wiki/B_minor

    Parallel key: B major: Dominant key: F-sharp minor: Subdominant: E minor: ... Its relative major is D major and its parallel major is B major. The B natural minor ...