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Infantas Isabella Clara Eugenia and Catalina Micaela of Spain wear miniature versions of adult costume, including gown with hanging sleeves and Spanish farthingales, c. 1571. Their skirts appear to have tucks to allow them to be let down as the girls grow. Two boys at table wear brownish doublets and slops over cannions, the Low Countries, 1585.
For example, the dolman, a 19th-century cape-like woman's garment with partial sleeves is often described as a mantle. [ 2 ] In English, the idiom "to take up/pick up/assume the mantle" is from the Bible , and means to take a position of authority, leadership or responsibility in a particular area, especially in the sense of carrying on for a ...
In the early 21st century, many wedding dresses were sleeveless and strapless. [3] Other brides preferred styles with sleeves, higher necklines, and covered backs. [3] The latest wedding dress designs, as of 2024, feature drop-waist silhouettes, convertible gowns, intricate crystal embellishments, tulle, and gowns that display vintage charm. [4]
Sumptuary laws covering prostitutes were introduced (following Ancient Roman precedent) in the 13th century: in Marseilles a striped cloak, in England a striped hood, and so on. Over time these tended to be reduced to distinctive bands of fabric attached to the arm or shoulder, or tassels on the arm. [2]: 139–141
The dress set wedding fashion trends after the wedding. Large puffed sleeves, a full skirt and "soft touch fabrics" became popular requests. [17] Copies by other dressmakers were available "within hours" of the 1981 wedding. [18] Many bridal experts considered the dress a "gold standard" in wedding fashion in the years after the wedding. [19]
Various ornaments attached to the hair or to a woman's turban or headscarf. 1 and 2 are examples of kamarah ornaments. 3 is a sakiyeh ornament. 4 is an 'ood es-saleeb. 5 and 6 are misht ornaments. The libbeh and sha'eer (barley) are made of hollow gold beads, and popular among the middle and lower classes.
As with the other women's head-dresses, the smadeh represented the wearers bridal wealth, and acted as an important cash reserve. One observer wrote in 1935: "Sometimes you see a gap in the row of coins and you guess that that a doctor's bill has had to be paid, or the husband in America has failed to send money" (quoted in Stillman, p. 53.)
The wedding dress of Princess Elizabeth (the future Queen Elizabeth II), was worn at her wedding to Philip Mountbatten, Duke of Edinburgh on 20 November 1947 in Westminster Abbey. Given the rationing of clothing at the time, she still had to purchase the material using ration coupons. [1] The dress was designed by Norman Hartnell. [2]