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In Western architecture, a living room, also called a lounge room (Australian English [1]), lounge (British English [2]), sitting room (British English [3]), or drawing room, is a room for relaxing and socializing in a residential house or apartment. Such a room is sometimes called a front room when it is near the main entrance at the front of ...
The 8.5-foot (2.6 m) tall angel holds a water basin and is wreathed in laurel. Its pedestal is a representation of a ship's prow with a garland swag, carved in pink marble. The pedestal, platform and reflecting pool are the work of New York architect Henry Bacon. The work was commissioned by Dodge's daughters Anne Dodge and Ella Dodge Pusey.
Song of the Angels (1881) by William-Adolphe Bouguereau (1825–1905) Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Ezekiel's "chariot vision", by Matthaeus Merian (1593–1650), displaying several different types of angelic creatures.
As the largest room, it could also be used as a dining room for large banquets, or cleared of tables, provided with music, and turned into a ballroom. Off the side, or in a different part of the house, might be a drawing room, used as a room with greater privacy, for the owner's family and their friends to talk.
The statue of an Angel (1494–1495) was created by Michelangelo out of marble. Its height is 51.5 cm. It is situated in the Basilica of San Domenico, Bologna.
Saint Matthew and the Angel (1602) is a painting from the Italian master Caravaggio (1571–1610), completed for the Contarelli Chapel in the church of San Luigi dei Francesi in Rome. It was destroyed in Berlin in 1945 and is now known only from black-and-white photographs and enhanced color reproductions.
The original frame survived until the 19th century and was inscribed with a date believed to be 1482; modern art historians have suggested that the number's final digit was a 9, which would give a date of 1489. In 1847, the art historian Gustav Friedrich Waagen described the panel as one of Memling's "finest and most original works". [2]
The attribution of the Angel in Red thus enjoys a consensus in favor of Giovanni Ambrogio de Predis. [1] [9] While the Angel in Green was long attributed to the same painter, [6] research carried out at the end of the 20th century now links it much more surely to Francesco Napoletano, a pupil of Leonardo da Vinci. [10]