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Toga candida: "Bright toga"; a toga rubbed with chalk to a dazzling white, worn by candidates (from Latin candida, "pure white") for public office. [11] Thus Persius speaks of a cretata ambitio, "chalked ambition". Toga candida is the etymological source of the word candidate. Toga pulla: a "dark toga" was supposed to be worn by mourners at ...
Juventas, also known as Iuventus or Juventus (Greek equivalent: Hebe), was the ancient Roman goddess whose sphere of tutelage was youth and rejuvenation. [1] She was especially the goddess of young men "new to wearing the toga" (dea novorum togatorum)—that is, those who had just come of age. [2] [3] [4]
Like much in Roman culture, elements of the triumph were based on Etruscan and Greek precursors; in particular, the purple, embroidered toga picta worn by the triumphal general was thought to be derived from the royal toga of Rome's Etruscan kings. For triumphs of the Roman regal era, the surviving Imperial Fasti Triumphales are
The toga was considered Rome's "national costume," privileged to Roman citizens but for day-to-day activities most Romans preferred more casual, practical and comfortable clothing; the tunic, in various forms, was the basic garment for all classes, both sexes and most occupations. It was usually made of linen, and was augmented as necessary ...
Man in "toga" outfit. A toga party was depicted in the 1978 film Animal House, which propelled the ritual into a widespread and enduring practice. Chris Miller, who was one of the writers of Animal House, attended Dartmouth College where the toga party was a popular costume event at major fraternity parties (such as Winter Carnival and Green Key Weekend) during the late 1950s and early 1960s.
It has long been believed that Roman women originally did not wear stolae and that they instead wore togas like the men. However, this goes back to a scholarly lore invented in Late Antiquity. [9] [10] For the most part, the toga was worn exclusively by men, and Roman wives (matronae) traditionally wore the stola.
2nd-century AD Roman statue of a Virgo Vestalis Maxima (National Roman Museum) 1st-century BC (43–39 BC) aureus depicting a seated Vestal Virgin marked vestalis. In ancient Rome, the Vestal Virgins or Vestals (Latin: Vestālēs, singular Vestālis [wɛsˈtaːlɪs]) were priestesses of Vesta, virgin goddess of Rome's sacred hearth and its flame.
The Pergamene bequest became the new Roman province of Asia, and Roma's cult spread rapidly within it. [10] In contrast to her putative "Amazonian" Roman original, Greek coinage reduces the ferocity of her image, and depicts her in the "dignified and rather severe style" of a Greek goddess, often wearing a mural crown, or sometimes a Phrygian ...