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The pink sandstone Jain and Buddhist sculptures of Mathura from the 1st to 3rd centuries CE reflected both native Indian traditions and the Western influences received through the Greco-Buddhist art of Gandhara, and effectively established the basis for subsequent Indian religious sculpture. [4]
Sculptures with four tirthanakars, or their heads, facing in four directions, are not uncommon in early sculpture, but unlike the comparable Hindu images, these represent four different tirthanakars, not four aspects of the same deity. Multiple extra arms are avoided in tirthanakar images, though their attendants or guardians may have them. [9]
Under the Guptas, Mathura remained primarily a center of Buddhist artistic activity and worship, but a few Hindu sculptures started to appear. [207] The first known creation of the Guptas relating to Hindu art at Mathura is an inscribed pillar recording the installation of two Shiva Lingas in 380 CE under Chandragupta II, Samudragupta's ...
Nepali sculpture draws influences from the sculpture and artistic styles of Indian art, of the Gupta and Pala Empires in particular. [1] The majority of the surviving sculptures depict religious figures and subjects, drawn from both Hinduism and Buddhism, as the two religions have coexisted peacefully in the Nepalese region for over two ...
Sculpture depicting Tirthankara Parshvanatha, Thirakoil, Tamil Nadu Jainism spread here and there all over Tamil Nadu during Sangam Age.One of the Tamil literature, called Paripadal (பரிபாடல்), probably belongs to 3rd century, mentions that there were propelling statues sculptured in stone for different deities in the temple of God Murugan in Thirupparankundram.
Like all the locations of Buddhist caves, this one is located near main trade routes and spans six centuries beginning in the 2nd or 1st century B.C. [47] A period of intense building activity at this site occurred under the Vakataka king Harisena between 460 and 478 A profuse variety of decorative sculpture, intricately carved columns and ...
Stone sculpture, wood carving, repoussé art and metal statues of Buddhist and Hindu deities made by the lost-wax casting process [7] are specimens of Newar artistry. [8] The Peacock Window of Bhaktapur and Desay Madu Jhya of Kathmandu are known for their wood carving.
There is no timeline that divides the creation of rock-cut temples and free-standing temples built with cut stone as they developed in parallel. The building of free-standing structures, especially Buddhist temples, began in the 3rd century BCE, whereas Hindu temples started to be built from the 5th century CE. [44]