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Warner Elias Sallman (April 30, 1892 – May 25, 1968) was an American painter from Chicago best known for his works of Christian religious imagery. He also worked in commercial advertising, as well as in freelance illustration. [1]
Single portraits are common, or smaller groups, with the full group mostly seen in narrative scenes from the Life of Christ in art, especially The Last Supper. All the apostles acquired distinctive attributes enabling them to be identified, and the most important, such as Saint Peter and Saint John the Beloved , were given a consistent physical ...
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre , a New Testament scholar and professor at Duke University.
In Cox's reimagining of this historically iconic scene, she stood nude in the place of Jesus Christ and is surrounded by all black apostles, except for Judas, who is white. In 2001, the piece was included in a Brooklyn Museum of Art exhibition Committed to the Image: Contemporary Black Photographers, curated by Barbara Millstein. [citation ...
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art , [ 1 ] it had been reproduced over half a billion times worldwide by the end of the 20th century. [ 2 ]
The stained glass window depicts a black man, arms outstretched, reminiscent of the crucifixion of Jesus; it was sculpted by John Petts, who also initiated a campaign in Wales to raise money to help rebuild the church. [40] Photographer Robert Mapplethorpe's 1975 self-portrait shows the artist, nude and smiling, posed as if crucified.