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It represents Tagore's vision of a new and awakened India. The original poem was published in 1910 and was included in the 1910 collection Gitanjali and, in Tagore's own translation, in its 1912 English edition. "Where the mind is without fear" is the 35th poem of Gitanjali, and one of Tagore's most anthologised poems.
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.
Keshavdas Mishra (Hindi pronunciation: [keːɕəvəd̪ɑːsə miɕrə]; 1555–1617), usually known by the mononym Keshavdas, was an Indian Poet, Writer, Scholar and administrator who was best known for his work Rasikpriya , a pioneering work of the Riti Kaal of Hindi literature. He was patronized by Vir Singh Deo of Orchha.
The poem was first sung on the second day of the annual session of the Indian National Congress in Calcutta on 27 December 1911. The song was performed by Sarala Devi Chowdhurani, Tagore's niece, along with a group of school students, in front of prominent Congress Members like Bishan Narayan Dhar, Indian National Congress President and Ambika Charan Majumdar.
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
Its content is different from the poetry anthologies in the first two volumes. It is an epic poem with a total of 21 chapters and 1,340 verses, titled "Manifestation of Love"; the illustrations in the book are by Rhiti Chatterjee Bose, [7] the female illustrator from Kolkata. The author tells the story of Krishna from birth to death in a new ...
The Bhanusimha poems chronicle the romance between Radha and Krishna which is a traditional theme of Indian poetry. The poet sought connection with divinity through appeal to nature and the emotional interplay of human drama. He repeatedly revised the poems over the following seventy years. [5] [6] Song VIII of Bhanusimha Thakurer Padavali:
The Amaruśataka or Amarukaśataka (अमरुशतक, "the hundred stanzas of Amaru"), authored by Amaru (also Amaruka), is a collection of poems dated to about the 7th [1] or 8th century. [2] The Amaruśataka ranks as one of the finest lyrical poetry in the annals of Sanskrit literature, ranking with Kalidasa and Bhartṛhari 's ...