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Ibu Pertiwi is a popular Indonesian patriotic song composed by Kamsidi Samsuddin in 1908. [1] The song's lyrics are about Ibu Pertiwi, the national personification of Indonesia (also interpreted as "mother country"). It is normally sung by Indonesian children, elementary and secondary school students, or played during Indonesian Independence ...
Prior to when Suharto seized power in 1967, though, the same music was adopted for a popular patriotic song titled "Ibu Pertiwi". In Hindi, the hymn is a very important song and is sung as "Yeshu kaisa dost pyara". In Marathi, the hymn has been translated as "Kon Mitra Yeshuwani" By Mary Bessel.
Ibu Pertiwi is a popular theme in Indonesian patriotic songs and poems and was mentioned in several of them, such as the song "Ibu Pertiwi" and "Indonesia Pusaka".In the national anthem "Indonesia Raya", the lyrics "Jadi pandu ibuku" ("[is] the scout/guide to my mother") is a reference to Ibu Pertiwi as the metaphorical mother of the Indonesian people. [2]
Ibu Pertiwiku (Jawi: ايبو ڤرتيويکو ; English: My Motherland) is the official state anthem of Sarawak, Malaysia. The song was adopted in 1988, alongside the adoption of the new State Flag as well, in conjunction with the 25th anniversary of Sarawak's Independence within Malaysia. The music was composed by Sarawak songwriter Dato ...
Untuk ibu pertiwi! Sebelum kita berjaya, Jangan harap kami pulang! Inilah sumpah pendekar kita, Menuju medan bakti! Andai kata kami gugur semua, Taburlah bunga di atas pusara. Kami mohon doa, Malaysia berjaya! Semboyan telah berbunyi, Menuju medan bakti!
Both Krieger and Densmore believe that the Doors’ debut album from 1967 and their fast, loose last record with Jim Morrison, 1971’s “L.A. Woman,” were their band’s finest recordings.
The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]
Right: Indonesian depiction of Prithvi in ancient regal attire as Ibu Pertiwi at the Indonesian National Monument In his analysis, David Kinsley discusses how the concept of Prithvi Mata transforms in later traditions, particularly in the context of Bharat Mata (Mother India), which became a powerful symbol in India’s nationalist movement .