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The Bhakti Movement was a rapid growth of bhakti, first starting in the later part of 1st millennium CE, from Tamil Nadu in southern India with the Shaiva Nayanars [23] and the Vaishnava Alvars. Their ideas and practices inspired bhakti poetry and devotion throughout India over the 12th-18th century CE.
It is that bhakti which gives itself up body, heart and soul to the cause of God. It is considered to be the fullest expression of what is known as Atma-nivedana (= giving-up of oneself) among the nine forms of bhakti (Navadha Bhakti). It is the bhakti of the devotee who worships God not for any reward or presents but for His own sake.
In Hinduism, Bhajan and its Bhakti term Kirtan, have roots in the ancient metric and musical traditions of the Vedic era, particularly the Samaveda. The Samaveda Samhita is not meant to be read as a text, but sung as it is like a musical score sheet that must be heard. [10]
Scholars writing on bhakti in the late nineteenth and early twentieth centuries were agreed that bhakti in India was preeminently a monotheistic reform movement. For these scholars, the inextricable connection between monotheism and reform has both theological and social significance in terms of the development of Indian culture.
The bhakti marga involving these deities grew with the bhakti movement, starting about the mid-1st millennium CE, from Tamil Nadu in South India. The movement was led by the Saiva Nayanars [10] and the Vaisnava Alvars. Their ideas and practices inspired bhakti poetry and devotion throughout India over the 12th-18th century CE.
The Narada Bhakti Sutra (IAST: Nārada Bhakti Sūtra) is a well known sutra venerated within the traditions of Hinduism, reportedly spoken by the famous sage, Narada. The text details the process of devotion ( Bhakti ), or Bhakti yoga and is thus of particular importance to many of the Bhakti movements within Hinduism.
The Hindu devotional Bhakti traditions place a focus on repetitive prayer, known as japa. Prayer is centred on the personal forms of gods and goddesses, such as Vishnu's avatars, most notably Rama and Krishna , Shiva, or Shiva's sons such as Kartikeya and Ganesha , as well as Mahadevi , the supreme goddess, and her forms, such as Lakshmi or Kali .
Mulugu Papayaradhya, an 18th-century Telugu poet, is regarded as the first poet to translate the Devi Bhagavata Purana into Telugu. [100] Tirupati Venkata Kavulu also translated this purana into Telugu language in 1896 entitled Devi Bhagavatamu. They have divided the purana into 6 skandas and themselves published it in 1920. [101]