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Mary's skirts are shaped by a French farthingale in the Blairs Museum portrait. Masques were the heart of festivities at royal courts. [17] Mary wore farthingales, and danced in masques (with the French governess Françoise d'Humières) in costumes made with lightweight silver and gold fabrics decorated with silver and gold metallic spangles. [18]
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Mary and Francis were betrothed at the Louvre on 19 April 1558. [18] They signed a contract in which Mary declared her wish and consent to marry, with the advice of the representatives of the Three Estates of Scotland and her grandmother, Antoinette of Bourbon, the Dowager Duchess of Guise. [19] The formalities were followed by dancing. [20]
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Margaret and Mary Kitson were bought "savegardes" of peach coloured cloth in February 1573. [6] Mary, as Countess Rivers, made bequests of clothing in 1641 including "my best cloak and safeguard laid with gold buttons" and an "old safegard laid with gold lace". [7] Safeguards made for Elizabeth I seem have been tied to the stirrup or foot. [8]
The sale of Mary's jewels in England by Moray in 1568 were halted for diplomatic reasons after she arrived in England. Mary instructed her ally Lord Fleming to request that Charles IX prevent sales of her jewels in France. [242] Most of the remaining pieces which Mary had left behind in Scotland were kept in a coffer in Edinburgh Castle.
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Queen Elisabeth in the Mary Stuart-play (drawing by Arthur von Ramberg (1859)) The first UK production of Mary Stuart to be staged for the Schiller bicentenary in 2005, was at Derby Playhouse where it ran from 3 to 26 May. Using Robert David MacDonald's translation, the play was directed by Uzma Hameed and starred Hilary Tones as Elizabeth I ...