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The Shami statue is one of the main surviving works of Parthian art. It is currently in the National Museum of Iran (Inv. no. 2401) and was found at Shami (modern Khūzestān Province), where there was an ancient sanctuary. The bronze statue is 1.94 m high. The man depicted is shown frontally.
Trudy S. Kawami: Monumental art of the Parthian period in Iran. Brill, Leiden 1987, ISBN 90-6831-069-0. Hans Erik Mathiesen: Sculpture in the Parthian Empire. Aarhus 1992, ISBN 87-7288-311-1. John Boardman: The Diffusion of Classical Art in Antiquity. Thames and Hudson, London 1994. Michael Sommer: Hatra.
The symbols were painted with a paste made from alder bark. [5] [21] The motifs on a drum reflect the worldview of the owner and his family, both in terms of religious beliefs and in their modes of subsistence. [22] A world is depicted via images of reindeer, both domesticated and wild, and of carnivorous predators that pose a threat to the herd.
Picture communication symbols (PCS) are a set of colour and black & white drawings originally developed by Mayer-Johnson, LLC for use in augmentative and alternative communication (AAC) systems. These AAC systems may be high-tech, such as the TD Pilot, or low-tech such as a communication board. PCS symbols are now owned and maintained by Tobii ...
However, there are exceptions to this rule, including black-and-white fine art photography, as well as many film motion pictures and art film(s). Early photographs in the late 19th and early to mid 20th centuries were often developed in black and white, as an alternative to sepia due to limitations in film available at the time.
Whether you call it the clenched fist, Black Power fist, BLM fist, or solidarity fist, one thing is clear: it’s used as a symbol of Black pride, solidarity, and dedication to fighting injustice.
The Fatimids used a green standard, as well as white. The Saudi Emirate of Diriyah used a white and green flag with the shahadah emblazoned on it. Various countries in the Persian Gulf have red flags, as red represents nationalism. The four Pan-Arab colours, white, black, green and red, dominate the flags of Arab states. [2] [3]
The black sun as pictured in the Putrifaction emblem of Philosophia Reformata (Johann Daniel Mylius) Sol niger (black sun) can refer to the first stage of the alchemical magnum opus, the nigredo (blackness). In a text ascribed to Marsilio Ficino three suns are described: black, white, and red, corresponding to the three most used alchemical ...